The marketing of the Saxophone Samurai

The Saxophone Samurai with a saxophone in handSaxophone Samurai's marketing / Former marketer's business designTreating yourself as a product,
market
The Saxophone Samurai is not just a musician. During his days as a corporate employee,Someone who has been involved in marketing for nearly 20 years, but designed themselves as a producta business modelis. On this page, we introduce those blueprints just as they are.
SERIESDiscovering the Saxophone Samurai: All 8 Chapters0102030405060708CHAPTER 06Chapter 6: The Saxophone Samurai's Marketing
about 20Practical marketing experience40Total social media followers200 to 2,000Estimated audience size per performance
▶ Watch the customer attraction process on video
24.8%Visitors from outside the prefecture86.7%Saxophone Samurai's purpose of visit5public eyeNagoya Tourism Goodwill Ambassador, the 5th in history124,000,000ten thousand timesTotal view count of social media videos (combined total across 6 platforms)

IntroductionINTRODUCTION

Wearing a woven straw hat, he's playing the saxophone on a street corner. Hearing that, you might think he's just an ordinary street musician.

However, the reality is slightly different. Saxophone SamuraiA business born from marketing myself as a product. My job when I was a corporate employee was to make companies and products known to the world. For nearly 20 years, my work has centred on designing customer acquisition, building traffic funnels, and creating communication strategies.

I applied that exact way of thinking to myself. Put in order, it's just four steps.

1analyse myself2Designing value3Commercialising a worldview4Towards a business that brings people together
self-marketing=personal branding=the Saxophone Samurai business
The Saxophone Samurai is not a musical activity; it is a designed business model.I continue playing because I love it. That is true. However, just that wasn't enough to attract people. How and what did I design to bring people together? I will explain this in order from here.

The process of turning an idea into a businessHOW IT GREW

My marketing experience and the saxophone, which I have continued as a hobby, intersected to bring about monetisation and independence.

1STAGE 01 / Student DaysStart playing the saxophoneI bought my first saxophone with my part-time job earnings. I started it purely as a hobby, with no intention whatsoever of making it a career.2STAGE 02 / Working Adultbalance one's day job and hobbiesWhile working in marketing, I will keep playing the saxophone. The skills I acquire during this period will prove useful later on.3STAGE 03 / Side-hustle transitionSaks starts generating revenuePlaying music has become a side income. The boundary between hobby and work is gradually becoming blurred.4STAGE 04 / TurnaboutSaks's revenue exceeds that of its core businessThis is the exact moment it became established as a personal brand. This was the turning point for the business.5STAGE 05 / Independence and IncorporationQuit my job and go freelanceWe have incorporated and are now expanding our business in earnest.
Combine your passions with the strengths you've cultivated through your work.I couldn't have got this far with the saxophone alone. The same goes for marketing alone. It was the combination of the two that gave birth to this new business.

Strategy 1: Assessing the Market and YourselfSTRATEGY 01 / 3C ANALYSIS

What I used to design the business was3C analysisThat is the fundamental concept of marketing. You analyse the market and strategy from three perspectives: Company, Customer, and Competitor.

To start performing as a street saxophonist, first"Who it is delivered to", "What it is compared to"have been organised.

companyMyselfCurrent situation analysisI can play. However, virtuosic techniques or difficult pieces are not my strong point. On the other hand, I am confident in my tone quality and ability to create atmosphere.Identified challengesIn a battle of technology, differentiation is difficult.Strategic hypothesisCompeting through worldview, emotion, and tone, rather than just technique.CUSTOMERcustomerCurrent situation analysisJazz enthusiasts have a sophisticated ear, but the general public is overwhelmingly larger as a market. The general public simply love the tone of the saxophone itself.Identified challengesHighly specialised performances are difficult for the general public to appreciate.Strategic hypothesisCreating a musical experience where members of the public can happen to stop by.COMPETITORCompetitionCurrent situation analysisSaxophone players focus mainly on the stage and jazz. There are few players who focus on pop music, and almost none on the streets of Nagoya. Guitars are the mainstream on the streets.Identified challengesConversely, blank spots exist.Strategic hypothesisTake "street × saxophone × pops".
Choosing a market where your strengths can be utilised is the first step towards differentiation.Instead of diving head-on into a fiercely competitive market, I looked for a place where my strengths would directly translate into value. Choosing where you can win is also a sound strategy.

Strategy 2 / Analyse factors other than performanceSTRATEGY 02 / SECOND ANALYSIS

When I actually stood on the street, something different from my hypothesis happened.Whether people stopped to listen or not was heavily influenced by factors other than the performance itself.That is why I redid the 3C analysis once more.

CUSTOMERcustomerObservationsPassers-by are stopping not only because of the sound, but because of a first impression. On the street, intrigue happens before skill.Identified challengesPeople judge by sight first, and then move on to sound.Strategic hypothesisDesign the visual impact.COMPETITORCompetitionObservationsThe prominent performers weaponised their appearance and worldview rather than the sound itself. It was "who was playing" that was being watched.Identified challengesIn the competition of appearance, there are many strong people.Strategic hypothesisIt has an impact that differentiates it from the competition.companyMyselfObservationsThe tone of the performance has its strengths. On the other hand, it is not the type to compete on youth or glamour.Identified challengesIn terms of looks and appearance, we're bound to be at a disadvantage.Strategic hypothesisDevise a visual strategy that isn't about faces.
Neither in skill nor in appearance.
“Hiding the face × Strong worldview × Intriguing presence”
to differentiate with.
As a response to this, Sax Samurai was born

So the persona of the Saxophone Samurai is no spur-of-the-moment idea.the answer derived as a result of the analysisThat was the case.

It is not just about the performance, but the design of the impression that creates a brand.Even with the exact same performance, how it is conveyed changes completely depending on who is playing and what they look like while doing so. Whether or not we designed this aspect became a major turning point.

Strategy 3 / New value is born from combinationsSTRATEGY 03 / COMBINATION

There is no need to create something new from scratch.Combining existing value in a way nobody has done before.That alone creates a new category.

Saxophone×=saxophone samurai (Saxophonus saxophilus)

The values that the saxophone holds are music, healing, modernity, sophistication, and urbanity. The values that the samurai holds are Japanese culture, strength, tradition, narrative quality, and extraordinaryness. As a result of combining these two completely different things, three values were born.

01Easy to learn in an instantIt becomes an "experience" rather than just a performance. It created an unforgettable impact the moment you see it.02A story is bornIt sparks the curiosity of wondering, "What could it be?" It has acquired a compelling narrative quality that draws people in.03Communicating without wordsJapanese tradition × modernity. It has become a worldview that transcends language barriers.
Innovation = CombinationInnovation is about combination.
Even with existing values, through clever combinations, you can create new brands that do not yet exist in the world.

Strategy 4: Designing the "Appearance"STRATEGY 04 / FIRST IMPRESSION

In today's age of information overload, it's not the good things that get chosen, butFirst comes the era where things that get noticed are chosen. People judge others by their appearance rather than their substance at first, both on social media and in real life.

0.8 secondsIt is said to be the time it takes for a person to decide whether they are interested or not.
If we cannot get through this 0.8 seconds, there is no opportunity for people to even know what is inside.

This is a structure common to everything. For social media posts, it's the thumbnail and the opening. For street performances, it's the outfit and presence. For flyers, it's the design and headline. For shops, it's the exterior and entrance. For products, it's the packaging.It's all about the entrance designIt is the same story.

1visually recognised2I stop in my tracks, intrigued3Experience sounds and experiences4memorable and become a fan

In the case of Saxophone Samurai,The worldview of the samurai itself acts as a magnet for attentionplays a role. It's designed to make people curious enough to stop, and only then deliver the sound and the experience, keeping strictly to this order.

※ This isThis is not a story that affirms lookism (looks-based discrimination).It goes without saying that the contents must taste good. On top of that, it is about how the “external design” to let people know what is inside is just as important.

To deliver the substance, you must first create an entrance through the appearance.It is not all about appearances. However, if nobody looks at you, it is the same as your substance not existing. First, we capture people's interest, and then we exceed expectations with our substance. We value this order of priorities.

Strategy 5 / Design a nameSTRATEGY 05 / NAMING

Rather than "coolness," a name shouldIs it easy to find, easy to remember, and easy to spread?is important. How a brand or activity grows changes significantly right from the naming stage. I believe a good name has three conditions.

01one and only
Searchability
It doesn't overlap with other services or names. It won't get lost in search results either. It's easy to find on social media too. If you search for "Saxophone Samurai", you'll find it straight away.
02Easy to type on a smartphone
(diffusibility)
Easy to type and resistant to typos. Hashtags catch on easily and it's easy to recommend. It can be converted in one go using katakana and kanji.
03The name alone tells you everything.
Comprehensibility
You can picture it even without an explanation. It conveys what they do and stays in your memory. You can imagine the character just from the name.

Actually, there are changes that occurred solely from the design of names.They are easy for the media to feature. They spread easily on social media, even as text alone. They are visually communicative. Once heard, they are easily remembered.Without spending a penny on advertising, the name itself keeps working for you.

A good name is a salesperson who keeps working with zero advertising spend.The name is not "Kakkoii ka", butIs it designed to expand?I'll decide by this. This is what I consider to be good naming.

Strategy 6 / Social media is "proof of existence"STRATEGY 06 / SNS

Social media is not a place to showcase your work.a place to prove one's existenceI believe that nowadays, if you don't exist on the web, it's the same as not existing at all. Only those who keep putting themselves out there will be chosen.

01Post on all major social media platforms

It's impossible to predict in advance which social media platform will take off. The market decides where it hits. That's why Sax Samurai posts on all of them: X, Instagram, TikTok, YouTube, Facebook, and Threads.

02Post every day rather than over-engineering it

Rather than a perfect score once a month,Produce 70 points every day.The sheer volume of output becomes your volume of learning. Stopping in pursuit of perfection is the greatest loss of all.

03Continue, analyse, improve

I look at the data, not feelings. What grew? Who reacted? Why was it saved? I check these things every time and reflect them in the next steps.

04optimise while balancing quality and volume

Quantity alone won't work, and quality alone won't work either.Keep publishing while raising the quality.Only by turning both of these wheels can our messaging truly reach people.

Social media is a mechanism for delivering value and making your presence recognised.Currently, the total number of social media followers exceeds 400,000, and the videos posted have been viewed a cumulative 124 million times. These figures can also be seen as an indicator of that person's influence and ability.

Strategy 7: Cultivating Information Assets in the AI EraSTRATEGY 07 / AI ERA

From now on, the gateway to information is shifting from search to AI. That is precisely whyleaving information in a format that makes it easy for AI to findIt becomes important. This is the mindset of nurturing your social media, website, articles, and profile as a single "information asset".

1transmit2accumulate information3Being found by AI4be introduced or quoted5awareness increases

Rather than one-off posts, it is the accumulation of information that makes a difference. In practice, I keep doing the following five things.

01Five practical measures for the AI era
gather information for the company website/ compile achievements, activity reports, appearances and profileComplete the profile/ Standardise your activity name, background and description across all mediakeep a record of the outgoing content/ Keep SNS posts and articles in a format that you can look back on laterCompile the frequently asked questions and achievementsOrganise frequently asked questions and numerical achievementsIncrease third-party referrals/ Boost credibility on media coverage and event pages
Generate interest on social media, accumulate it on the website, and reinforce trust with third-party information.Clear and well-organised information is more important than overly complex technical measures. Even in the AI era, the fundamentals remain the same: make things easy to find, easy to understand, and trustworthy. This very website is an example of putting that into practice.

Marketing results in numbersRESULTS

How what we designed actually works has become crystal clear from the survey responses given by those who came to the live performance.

Within Nagoya City45.5%Within Aichi Prefecture (excluding Nagoya City)28.9%outside the prefecture24.8%Overseas0.8%* As the percentages are rounded to the nearest hundredth, the total may not add up to 100%.

24.81 TP3T visitors from outside the prefecture. Furthermore, your visit86.7% is ‘primarily for Sax Samurai’That was their reply. It means they did not just happen to be passing by, but had come there with a specific purpose in mind.

Each live performance draws crowds ranging from several hundred to around a thousand people. This is not restricted to just the local areaAttracting visitors from a wider catchment areais being generated, which is a strength that can be utilised directly for tourism and regional revitalisation.

A samurai with a saxophone standing on a night-time street corner

What I have designed comes back to me as actual human movement.

Marketing for the communityFOR THE REGION

Just as my business was starting to take off, I was already thinking about the next challenge.Three risks that will inevitably visit a personal brand if left unattendedBecause there is.

01If it goes well, it gets copiedSuccess breeds imitation. Differentiation alone will eventually become indefensible.02Popularity has a shelf life.An individual's buzz and popularity do not last forever; it is necessary to build the next level of value.03Marketing will be replaced by AI.There are also future risks to the revenue base of our core business due to technological changes.

That is where we combinedSightseeingThat was the perspective. Around that time, seeing reports that Nagoya had been voted the "least attractive city" was also a major catalyst.

Sightseeing×saxophone samurai (Saxophonus saxophilus)=sustainable business

Tourism is a growth sector that will become a major industry in the future, going to the actual place and feeling the atmosphereBecause of their onsite and experiential nature, they are difficult to replace with AI.area. And by connecting with tourism, rather than a temporary trend,community-based and enduring businessIt becomes. Because it is designed to include even the performance, region, story, and fan community, it is not easily imitated.

Thus was bornHuman tourist attractionThat is the concept: shifting from merely gathering people to conveying the charm of the city. Although Nagoya is rich in attractive tourism resources, the PR has not been sufficient. Moving from "creating" to "utilising" and "communicating". Within the constraints of limited resources, there is now a need for the mindset to maximise Nagoya's appeal.

It is important to design solutions to social issues to be a win-win.It is neither pure charity nor a selfish enterprise. For me, it generates profitability and ensures the activity is sustainable; for society, local issues are resolved and tourism resources are created without incurring material costs.Balancing "for the sake of someone else" and "for your own sake" is what makes it a sustainable force.

See efforts to boost tourism

SummarySummary

What the Saxophone Samurai did is not a matter of special talent.I analysed myself as a resource, chose where I could win, designed a message that would resonate, and kept communicating.That's all.

01market oneself as a productSelf-analysis, product design and branding. You can conceptualise a business from the resource that is yourself.02Use that power to help solve social problemsTourism, regional revitalisation and civic pride. We put the power of gathering to work for the community.03Accelerating through co-creation and mediaCollaboration with local authorities, co-creation projects, and media strategy. We are scaling it to society as a system.
MESSAGEindividual power,
Driving the forces that shape society.
Developing personal influence, connecting it to the resolution of social issues, and expanding it through co-creation and media.
Self-marketing becomes a power to deliver value to society.
We also accept requests for lecturesThe content of this page is one of the lecture themes that I speak about at companies, local government authorities and schools.
Self-marketing, personal branding, and regional revitalisation. We can also deliver this incorporating musical performances.
Enquiry regarding a speaking engagementThe story of Saxophone Samurai